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| Stress | Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| 111 | //1///1/1 | 2/4 | Come for Orders. Corporals (t) | AI-A | Cooper System, 1836 | 237 | BU |
| 111 | //1///1/1 | 2/4 | A l'Ordre Pour les Fourriers (t) | IC-F | French Ordinances | App.25 | BU |
| 111 | //1//1/1// | 2/4 | Come for Orders: Corporals (t) | AI-A | US Tactics, 1835 | 18 | BU |
| 111 | //11/11/11// | Comme Il Faut Sonner de La Trompe Aux Deffaux (t) | IC-F | Du Fouilloux Horn, 1585 | 49 | HN | |
| 111 | //111/11/11// | Comme Il Faut Sonner La Retraicte Avec La Trompe (t) | IC-F | Du Fouilloux Horn, 1585 | 51 | HN | |
| 111 | //1111/1111//1 | C/ | Air 56 (t) | BA-E | Fashionable, 1730 | 76 | VO |
| 111 | //1-1-1-1-1-1-1-1-1//1-1-1-1-1-1-1-1-1// 1-1-1-1-1-1-1-1-1 |
3/4 | Retreat (t) | AM-A | Bugle MS, 1800 | 1 | BU |
| 111 | //1111111//1111111//1111111111111111111 | Foure Sundry Calls for a Keeper, In Parke, Chase, or Forrest (t) | IC-E | Art of Venerie, 1575 | HN | ||
| 111 | //1111//1111//1+7 | 2/4 | Pantaloon, The (t) | DA-E | Thompson CD-5, 1788 | 66 | VN/GF/OB |
| 111 | //1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- //1-1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
| 111 | //1-1-1-1-1-1-1-1-5-/1-1-1-1-1-1-1-1-5-/ 1-1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
| 111 | //111111115//111111115//111111115// | 3/4 | Buglers Call (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
| 111 | //111111115//111111115//111111115// | Retreat (t) | AM-A | Beach MS, 1801 | 72 | BU | |
| 111 | //111111115//111111115//111111115// | To Retreat. No. 7 (t) | IC-E | British Bugle, 1813 | 13 | BU | |
| 111 | //111111115//111111115//111111115// | To Retreat. No. VII. (t) | IC-E | British Bugle, 1833 | 322 | BU | |
| 111 | //111111115//111111115//111111115// | 3/4 | Halt (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
| 111 | //1-1-1-1-1-1-1-1-7-//1-1-1-1-1-1-1-1-7- //1-1-1-1-1-1-1-1-7- |
3/4 | Retreat (t) | AI-A | Hoyt Cavalry, 1813 | Pl 13 | TR,BU |
| 111 | //1111+1+1+6565111//1+1+1+65//1111+1+1+6 5464 |
School for Scandall, The (t), or Country Dance (at) | AM-A | Van Renssel. MS, 1782 | II,8 | GT | |
| 111 | //1111//1234567//1+111 | 2/4 | Seventh Air (t) | AI-A | Instrum Asst-2, 1807 | 77 | 2MI,B |
| 111 | //11//1217-5-/11 | C | Idaspe (t) | SS-E | SS, Folger-C42.2 | 1,2-2,1 | MI,VO,KB |
| 111 | //1-1-1-5-5-1//1315-1//1 | C | Zerstreuen (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
| 111 | //11-17-//1332127-//15-6-3-4- | 3/2 | Europe's Revels (t) | DA-E | Walsh CD-1.1, 1718 | 243 | VN/OB/FL |
| 111 | //112112//1121//12345365 | 2/4 | Ah Ca Ira (t), or March 52 (at) | IC-E | Button Whit-1, 1806 | 62-63 | 2GF/2VN/2FL/2FI |
| 111 | //1123//1115-//1123 | Yankee Doodle (t) | AM-A | Eells MS, 1789 | 119 | MI | |
| 111 | //113217-//13-1-3-5-//17-12321 | 3/4 | Coolun, Irish (t) | IC-S | Aird 5, 1797 | 29 | FI/VN/GF |
| 111 | //1+135//1+111+7//1+135 | 2/4 | My Love Is But a Lassie Yet (t) | AM-A | Read MS, 1798 | 4 | 2MI |
| 111 | //121/121//1 | 6/8 | Two Part Song, A (t) | SC-E | Musical Cent-2, 1740 | 9 | 2VO |
| 111 | //1213//15-5-5-//1213 | 2/4 | Capt Mackintosh (t), or March 31 (at) | IC-E | Button Whit-1, 1806 | 40-41 | 2GF/2VN/2FL/2FI |
| 111 | //123127-//17-6-5-//13215-7- | 3/4 | Song Sung by Priests (t) | BA-E | Generous Free, 1731 | 23 | VO |
| 111 | //123//1327-//123 | 2/4 | Yankee Doodle (t) | AI-A | Fifer's Comp, 1805 | 18 | 2FI |
| 111 | //123//1327-//1-23 | 2/4 | Yankee Doodle (t) | AI-A | Village Fifer, 1808 | 36 | 2FI |
| 111 | //1232//15-6-5-//1232 | C | March In the Deserter (t) | IC-E | Andrews Fife, 1808 | 22 | FI/GF |
| 111 | //1232//15-6-5-//1232 | 2/4 | March 26 (t) | IC-E | Button Whit-2, 1806 | 44-45 | 2GF/2VN/2FI |
| 111 | //1232//15-6-5-//1232 | 2/4 | March In the Deserter (t) | IC-E | Goulding Fife, 1790 | 17 | FI |
| 111 | //1232//15-6-5-//1232 | 2/4 | March In the Deserter (t) | IC-E | Preston Fife, 1796 | 20 | FI/GF |
| 111 | //1232//15-6-5-//1232 | 2/4 | March In the Deserter (t) | IC-E | Skillern Fife, 1780 | 24 | FI/GF |
| 111 | //1233//112//17-6-5-6-7- | 2/4 | Swiss Allemand, The (t) | DA-E | Thompson CD-5, 1788 | 81 | VN/GF/OB |
| 111 | //12345//12345//123455123455 | 6/8 | Challenge, The (t) | AM-A | Shattuck MS, 1801 | 45 | MI |
| 111 | //123453//11+1+/123453 | 2/4 | Kitty Fisher (t) | DA-E | Thompson CD-2, 1765 | 29 | VN/GF/OB |
| 111 | //123453//1316553//12325 | Troop, A (t) | AM-A | Hawkins MS, 1794 | I,1 | GF | |
| 111 | //127-//127-//15-6-7-12 | 3/4 | AM-A | Ives MS, 1800 | 44 | MI | |
| 111 | //1+3+1+2+7//1+6432//13567 | 3/4 | Peggy Bawn (t) | IC-S | Aird 5, 1797 | 63 | FI/VN/GF |
| 111 | //1+321//1+321//1+321 | 3/2 | Dumps, The (t) | DA-E | Walsh CD-1.1, 1718 | 49 | VN/OB/FL |
| 111 | //1+321//1+321//1+321 | 3/2 | Dumps, The (t) | DA-E | Walsh CD-3.1, 1754 | 66 | VN/OB/GF |
| 111 | //133//144//133 | 3/4 | Chiling O Guiry with the Variations (t) | AM-A | Bolling MS, 1785 | 35 | VN/VO |
| 111 | //133//144//133 | 6/8 | AM-A | Williams, W. MS, 1775 | 33 | FI | |
| 111 | //135//1+1+3+2+//1+34 | 3/4 | Adams and Liberty (t) | AM-A | Copp MS, 1799 | 4-6 | VO,B |
| 111 | //1-3-5-//1132//13-4- | 3/4 | Adams & Liberty (t) | AM-A | Stiles MS, 1807 | 27 | MI,B |
| 111 | //1-3-5-//1212//121212 | 3/4 | Trumpet Minuet (t) | IC-E | Musica Bell, 1733 | 19 | FL/VN/OB |
| 111 | //135//135//135 | 3/8 | Cease Firing (t) | AI-A | Cooper System, 1836 | 239 | BU |
| 111 | //135//135//135 | 3/8 | Cease Firing (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
| 111 | //135//135//135 | 3/8 | Cease Firing (t) | AI-A | US Light Inf, 1830 | 123 | BU |
| 111 | //135//135//135 | 3/8 | Cease Firing (t) | AI-A | US Tactics, 1834 | PL86 | BU |
| 111 | //135//135//135// | 3/8 | Cease Firing (t) | AI-A | US Tactics, 1825 | 275 | BU |
| 111 | //135//135//135// | 3/8 | Cease Firing (t) | AI-A | US Tactics, 1835 | 21 | BU |
| 111 | //135-135-15-15-//131-5-1//1 | Zum Abdanken (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN | |
| 111 | //135//135//1+654 | 2/4 | Bonsadalians, The (t) | DA-E | Thompson CD-1, 1757 | 49 | VN/GF/OB |
| 111 | //135344//135322//1353446 | 2/4 | What You Please (t) | AI-A | Village Fifer, 1808 | 41 | FI |
| 111 | //135344//135322//1353446 | 2/4 | Miss Ford's Dance (t) | AM-A | Bolling MS, 1790 | 5 | VN/GT |
| 111 | //1355355//1355355//1355355 | 3/4 | Adjutants Call for Orders (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
| 111 | //1355355//1355355//1355355 | 3/4 | Chamade (t) | AI-A | Hoyt Cavalry, 1813 | Pl 14 | TR,BU |
| 111 | //1-5-11-5-11-5-1//1-//1 | 3/4 | Feuer (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
| 111 | //1-5-1-5-1-5-1-5-//1-5-1-5-1-5-1-5-//1- |
Incline to the Right (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
| 111 | //1-5-1-5-1-5-1-5-//1-5-1-5-1-5-1-5-//1- |
Incline to the Right (t) | IC-E | British Bugle, 1824 | 55 | BU | |
| 111 | //1-5-1-5-1-5-1-5-//1-5-1-5-1-5-1-5-//1- |
Incline to the Right (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
| 111 | //1-5-1-5-1-5-1-5-//1-5-1-5-1-5-1-5-//1- |
Incline to the Right (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
| 111 | //15151515//15151515//1// | To Incline to the Right. No. 11 (t) | IC-E | British Bugle, 1813 | 13 | BU | |
| 111 | //15151515//15151515//1// | Incline to the Right. No. IX. (t) | IC-E | British Bugle, 1833 | 322 | BU | |
| 111 | //15151515//15151515//1// | 3/4 | AI-A | Duane Compendium, 1809 | xviii | BU | |
| 111 | //15151515//15151515//1// | Face to the Right (t), or Incline to the Right (at) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
| 111 | //1-5-1-5-1-5-1-5-//1-5-1-5-1-5-1-5-//1- |
Incline to the Right (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
| 111 | //15-3-//1-3-5-//11111 | 3/4 | First Grand Minuet (t) | AI-A | Instrum Asst-2, 1807 | 85-88 | 2OB/2CL,2VN,2HN,BF |
| 111 | //15-315-3/15-315-35-//12 | C | Call In Skirmishers (t) | AI-A | Hoyt Cavalry, 1813 | Pl 13 | TR,BU |
| 111 | //153215//1+762+765//1+565436 | 3/2 | Sion House (t) | DA-E | Walsh CD-1.1, 1718 | 125 | VN/OB/FL |
| 111 | //153215//1+762+765//1+565436 | 3/2 | Sion House (t) | DA-E | Walsh CD-3.6, 1754 | 185 | VN/OB/GF |
| 111 | //1-5-5-/1-5-5-//1-5-1 | C | Run (t) | AI-A | Duane Riflemen, 1812 | 103 | BU |
| 111 | //1-5-5-/1-5-5-//1-5-1 | C | Alarm (t) | IC-E | Cooper Guide, 1806 | 3 | BU |
| 111 | //155/155/151+// | Alarm, The. No. XI. (t) | IC-E | British Bugle, 1833 | 322 | BU | |
| 111 | //155/155//151+// | C | Cease Firing (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
| 111 | //155/155//151+// | C | Alarm (t) | IC-E | Hyde Bugle, 1818 | 44 | BU |
| 111 | //15-6-//1234//15-6- | 3/4 | Tweed Side (t) | MS-S | Gillespie MS, 1768 | 21 | VN |
| 111 | //17-//17-//12212 | 3/4 | Geminiani's Trumpet Serenade (t) | IC-E | Musica Bell, 1733 | 23 | FL/VN/OB |
| 111 | //1+7562622//1+7565311//1+756222+2+ | Scotch Fuzilliers, The (t) | AM-A | Hudson MS, 1772 | 20 | VN/FI | |
| 1111 | //1///1/1//1 | 2/4 | Come for Orders. Sergeants (t) | AI-A | Cooper System, 1836 | 237 | BU |
| 1111 | //1///1/1//1 | 2/4 | A l'Ordre Pour les Sergens (t) | IC-F | French Ordinances | App.25 | BU |
| 1111 | //1//1/1//1// | 2/4 | Come for Orders: Sergeants (t) | AI-A | US Tactics, 1835 | 18 | BU |
| 1111 | //1-1-/11//1-1-/11 | 6/8 | Negative (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
| 1111 | //11/1/1111/1// | Comme Il Faut Sonner de La Trompe Pour Faire La Curee (t) | IC-F | Du Fouilloux Horn, 1585 | 51 | HN | |
| 1111 | //111//1//111//1// | 3/4 | Selection From the Battle of Prague, Go to Bed Home (t) | AI-A | Willig Flute, 1795 | 19 | GF |
| 1111 | //111/111//111/11-1 | 6/4 | Air 14 (t) | BA-E | Fashionable, 1730 | 20 | VO |
| 1111 | //11111/11111/111111111/1111131111115-11 |
Double Caualquet, Le (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
| 1111 | //11//11//11//15- | 3 | Charge, La (t) | IC-F | Lecoq Madeleine, 1720 | 8 | TR |
| 1111 | //11111/13//11111/1 | C | Slow (t) | IC-E | Jones Bugle, 1805 | 5 | BU |
| 1111 | //11/11//17-12/17-12 | C/ | Count Brown's March (t) | AM-A | Beach MS, 1801 | 37 | MI |
| 1111 | //111/135//111/135 | 6/8 | Duetto (t) | IC-E | Longman Flute, 1769 | 33 | 2GF |
| 1111 | //111/15-//11313/1 | C | Slow (t) | IC-E | Jones Bugle, 1805 | 5 | BU |
| 1111 | //1++1++1++//1++7+6+5+6+5+4+3+4+3+2+//1+ 7656543432//15-6-7-12345671+ |
3/4 | Overture (t) | TW-E | Genius, 1784 | 3-8 | HA |
| 1111 | //1-/115-//1-/115- | C | Enemy Is Cavalry, The (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
| 1111 | //1115-/115-/115-/11115- | Autre Charge Ou Chamade (t), or Chamade, Ou (at) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
| 1111 | //11//15-//15-/15- | C | March (t) | IC-E | Oswald Airs, 1758 | 2-3 | 2VN/2GF/2GT |
| 1111 | //112/15-//1232/1 | 2 | Slow Scotch (t) | AI-A | Cooper System, 1836 | 224 | FI,DR(NOT) |
| 1111 | //112/15-//1232/1// | 2 | Slow Scotch (t) | AI-A | US Tactics, 1835 | 5 | FI,DR |
| 1111 | //115-//115-//115-//112 | 3/8 | MS-E | Brown, W. MS, 1797 | 60-61 | MI | |
| 1111 | //115-5-/13/115-5-/13 | Form Two Deep (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
| 1111 | //121/121//1/12 | 6/8 | Two Part Song, A (t) | SS-E | SS, Folger-C42.4 | 4 | 2VO |
| 1111 | //121//15-1//15-1//12 | 3/8 | Echoing Horn, The (t) | AM-A | Beck MS, 1786 | 48 | GF |
| 1111 | //121//15-1//15-1//12 | 3/8 | Hark, Hark the Shrill Horn (t) | AM-A | Cary MS, 1797 | 89 | VO |
| 1111 | //121//15-1//15-1//12 | 3/8 | Echoing Horn, The (t) | AM-A | Pickman MS, 1785 | 70-71 | VO,KB |
| 1111 | //121//15-1//15-1//12 | 3/8 | Song 130 (t), or Echoing Horn, The (at) | SC-E | Calliope, 1788 | 246-248 | VO |
| 1111 | //121//15-1//15-1//12 | 3/8 | Echoing Horn, The (t) | SC-S | Edinburgh MM-2, 1793 | 214-215 | VO |
| 1111 | //121//15-1//15-1//12 | 3/8 | Song 8 (t) | SS-E | SS, Folger-C52 | 180,2-181,1 | VO,B |
| 1111 | //1232//15-//1232//17-1 | 3/8 | Air 1, Act Iii (t) | BA-E | Female Parson, 1730 | 35 | VO |
| 1111 | //1232//15-//1232//17-1 | 3 | Air 39 (t) | BA-E | Momus Turnd Fab, 1729 | 60 | VO |
| 1111 | //1232//15-//1232//17-1 | 3/8 | What tho' wiley politicians (fl) | BA-E | Patron, 1729 | 24 | VO |
| 1111 | //1+321//1+321//1+321//11 | 2/3 | Dumps, The (t) | DA-E | Walsh CD-2.1, 1731 | 35 | VN/OB/GF/RC |
| 1111 | //13217-//13217-//15-4-3-2-//1- | 3/4 | Contented Fellow, The (t) | SS-E | SS, Harvard | 1 | VO,B+GT |
| 1111 | //13217-//13217-//15-4-3-2-//1-1 | 3/4 | Contented I Am (t) | AM-A | Beck MS, 1786 | 34 | GF |
| 1111 | //13217-//15-4-3-2-//1-3-5-//131 | 3/4 | Song 43 (t), or Blush of Aurora, The (at) | SC-E | Calliope, 1788 | 80-82 | VO |
| 1111 | //13217-//15-4-3-2-//1-3-5-//131 | 3/4 | Song 176 (t), or When Ruddy Aurora (at) | SC-E | Calliope, 1788 | 330-332 | VO |
| 1111 | //1-3-5-1-3-5-5-5-//1-3-5-1-3-5-5-5-//11 5-5-3-3-//111 |
3/4 | Disperse (t) | AI-A | US Tactics, 1834 | PL67 | TR |
| 1111 | //135//1+5432//11111//15 | 3/4 | Trompet Minuet (t) | AM-A | Greenwood MS, 1785 | 68-69 | MI |
| 1111 | //135//1+5432//11111//15 | 3/4 | French Kings Minuet (t) | AM-A | Swan MS, 1775 | 29R | MI |
| 1111 | //1+4+1+75//1+64653//12367//1+ | 3/4 | Peggy Band a Retreat (t) | AM-A | Thompson MS, 1777 | 43 | FI |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | 3/8 | Trail Arms (t) | AI-A | Duane Riflemen, 1812 | 103 | BU |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | To Fire (t) | AI-A | Gardner Compend, 1819 | PL19 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | To Fire (t) | AI-A | US Riflemen, 1824 | PL13 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | Commence Firing (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | Fire (t) | IC-E | British Bugle, 1799 | PL.7 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | To Fire (t) | IC-E | British Bugle, 1824 | 55 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | Fire (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | Fire (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | Fire (t) | AM-A | Beach MS, 1801 | 72 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1-// | To Fire. No. 5 (t) | IC-E | British Bugle, 1813 | 12 | BU | |
| 1111 | //1-5-1//1-5-1//1-5-1//1-// | To Fire. No. V. (t) | IC-E | British Bugle, 1833 | 321 | BU | |
| 1111 | //151+//151+//151+//1// | 3/8 | Take Open Order (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
| 1111 | //1-5-1//1-5-1//1-5-1//1- | Fire (t) | IC-E | British Bugle, 1798 | PL.7 | BU | |
| 1111 | //15-1//15-1//15-1//12 | 3/8 | Echoing Horn, The (t) | AM-A | Pickman MS, 1785 | 24-25 | KB |
| 1111 | //15-/13//15-3/1 | 6/8(ED) | To Stable (t) | IC-E | Jones Bugle, 1805 | 4 | BU |
| 1111 | //15-//15-//15-/12 | Grand Seigniors March, The (t) | IC-E | Sprightly Comp, 1695 | 12 | OB/FL/VN | |
| 1111 | //15-/15-15-//15-/1- | C | Form Column (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
| 1111 | //1-5-1-5-/1-5-1-5-/1-5-1-5-/1 | Officers' Dinner (t) | AI-A | Duane Riflemen, 1812 | 106 | BU | |
| 1111 | //1-5-1-5-1-5-1-5-//1-5-1-5-1-5-1-5-//1- //1 |
3/4 | Recht Ziehen (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
| 1111 | //15-3-/1-5-//15-3-/1- | 6/8 | A Droite (t) | IC-F | French Ordinances | App.22 | TR |
| 1111 | //15-35-/15-35-//15-35-/1 | C | Disperse (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
| 1111 | //15-3-5-/15-3-5-//15-3-5-/13 | 2 | Quick Scotch (t) | AI-A | Cooper System, 1836 | 225 | FI,DR(NOT) |
| 1111 | //15-35-/15-35-//15-35-/13 | To Disperse (t) | AI-A | Gardner Compend, 1819 | PL20 | BU | |
| 1111 | //15-35-/15-35-//15-35-/13 | To Disperse (t) | IC-E | British Bugle, 1824 | 55 | BU | |
| 1111 | //15-35-/15-35-//15-35-/13 | Disperse (t) | AM-A | Beach MS, 1801 | 92 | BU | |
| 1111 | //15-35-/15-35-//15-35-/13// | To Disperse. No. 9 (t) | IC-E | British Bugle, 1813 | 13 | BU | |
| 1111 | //1+535/1+535//1+535/1+3+// | 2 | Quick Scotch (t) | AI-A | US Tactics, 1835 | 6 | FI,DR |
| 1111 | //1-5-5-/1-5-5-//115-5-/1- | C | Enemy Are In Close Column, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
| 1111 | //155/155//1+1+55/1// | Enemy Are In Close Column, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
| 1111 | //15-5-/15-5-//15-/1- | C | Form Company (t) | IC-E | Potter Bugle, 1817 | 1 | BU |
| 1111 | //1+6657//1+2+3+3+5+5//1+6657//1+2+3+3+2 +1+// |
3 | Waits, The (t) | PL-E | Playford 1-03a, 1657 | II,45 | VN |
| 1111 | //17-/1111////17-/1111 | C | Cibell (t) | IC-E | Bremner Oboe, 1775 | 18 | OB,BS |
| 1111 | //17-/1111////17-/1111 | C | Cibell (t) | IC-E | Johnson Oboe, 1750 | 26 | OB,BS |
| 1111 | //17-/1111////17-/1111 | C | Cibell (t) | IC-E | Simpson Oboe, 1746 | 18 | OB,BS |
| 1111 | //17-17-17-17-/1234567//1+71+71+71+7/1+2 +3+4+5+6+7+ |
C | Animals Animated, The (t) | TW-E | Choice/Harleq, 1781 | 38-39 | HAF |
| 1111 | //1+71+71+71+7/1+71+71+71+7//1+7654321/1 +7654321// |
C | Battle of Gemmappe, The. Cries of Victory (t) | AI-A | American SS-SM | 10-11 | PF |
| 11111 | //1///1/1//1/1 | 2/4 | Come for Orders. First Sergeants (t) | AI-A | Cooper System, 1836 | 237 | BU |
| 11111 | //1///1/1//1/1 | 2/4 | A l'Ordre Pour les Sergens Majors (t) | IC-F | French Ordinances | App.25 | BU |
| 11111 | //1//1/1//1/1// | 2/4 | Come for Orders: First Sergeants (t) | AI-A | US Tactics, 1835 | 18 | BU |
| 11111 | //1/1//1/1//11 | C/ | Battle of Gemmappe, The. Troops Assembling (t) | AI-A | American SS-SM | 3-9 | PF |
| 11111 | //111/1111//111//111/1111 | C/ | Old Soldiers (t) | SC-E | Pills 5, 1719-20 | 217-9 | VO |
| 11111 | //1111/1111//1/1111//1111 | C/ | Old and New Courtier of the Queens, The (t) | SS-E | SS, Harvard | 1 | VO/FL |
| 11111 | //1111/1111//1/1111//1111 | C/ | Old and New Courtier of the Queens, The (t) | SS-E | SS, Harvard | 1 | VO/FL |
| 11111 | //11/11//111/111//113 | C | Enemy Are Halted, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
| 11111 | //1+1+/1+1+//1+1+1+/1+1+1+//1+1+3+// | Enemy Are Halted, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
| 11111 | //111/111//1/1//15 | 6/8 | Pour la Requete Ou le Deffaut (t), or Deffaut, ou Le (at) | IC-F | Boivin Tons, 1731 | 2 | 2HN/GF/OB/VN/VA |
| 11111 | //111//111//113-//111//1111111 | Marche (t) | IC-G | Bavarian March, 1807 | 27 | TR | |
| 11111 | //111/13//1///1/11 | C | Field Marshal Count Suwarrows Troop (t) | IC-E | Pick Divs, 1800 | 6-7 | PF |
| 11111 | //111/131+5//1+7671+42+224//111/131+5// | C/ | Lass with Yallow Patecoat, The (t) | MS-E | Vickers MS, 1770 | 128 | MI |
| 11111 | //1-/1-//115-5-/115-5-//1- | C | Enemy Are Inclining to the Left, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
| 11111 | //1/1//1+1+55/1+1+55//1// | Enemy Are Inclining to the Left, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
| 11111 | //1115-/1115-/1115-/111/1313531 | Autre Boute-Selle (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
| 11111 | //112/112//112/1//1 | 2/4 | Federal Overture-Tune 3 (t), or Caira (at) | AI-A | Gent's Amus, 1794 | 43 | 2GF |
| 11111 | //1+13131//1+13131//1+13131//1+111+//1+7 7665 |
3/4 | Menuets (t) | AM-A | Aborn MS, 1790 | 69 | MI |
| 11111 | //1+1+3+/1+55//1+51+3+/1+//15151+// | Send Out the Flank Guard (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
| 11111 | //1+/135//1+/135//1+ | 6/8 | Mill Tune (t) | TW-E | Harlequin Dr. F, 1766 | 14 | HAF,GF/VN |
| 11111 | //1-1351-135/1-1351-135//1-1461-146/1-14 61-146//1-1351-135 |
C | Prelude to Exercise the Right Hand Fingers (t) | IC-E | Astor Guitar, 1800 | 12 | GT |
| 11111 | //115-115-//111111115-//111115-1111//15- 111115-//11131113111// |
C3 | Battle, The. Tarra-tantarra (t), or Tarra-Tantarra (at) | MS-E | Rogers MS, 1656 | 38 | VI |
| 11111 | //1+/1+76//1+567//1+/1+76 | C/ | Air 17, Act Iii (t) | BA-E | Beggar's Wed, 1729 | T62M12 | VO |
| 11111 | //123/12//115-//123/123 | C3 | Spanish Gypsie, The (t) | PL-E | Playford 1-10, 1698 | 31 | VN |
| 11111 | //123/123//1/15-//123 | 6/4 | Spanish Gypsie (t) | PL-E | Playford 1-15, 1713 | 31 | VN |
| 11111 | //123/123//1/15-//123 | 6/4 | Spanish Gypsie (t) | PL-E | Playford 1-16, 1716 | 31 | VN |
| 11111 | //123/123//115-//123/1 | C3 | Spanish Gypsie, The (t) | PL-E | Playford 1-08, 1690 | 102 | VN |
| 11111 | //123/123//115-//123/1 | C3 | Spanish Gypsie (t) | PL-E | Playford 1-09, 1695 | 31 | VN |
| 11111 | //123/123//115-//123/1 | 3/4 | Spanish Gypsie, The (t) | PL-E | Playford 1-11, 1701 | I,31 | VN |
| 11111 | //123/123//115-//123/123 | 3 | Spanish Gypsie, The (t) | PL-E | Playford 1-06, 1679 | 101 | VN |
| 11111 | //123/123//115-//123/123 | 3/4 | Spanish Gypsie, The (t) | PL-E | Playford 1-13, 1706 | 31 | VN |
| 11111 | //123/16-7-//123/16-7-//123 | 6/4 | Jockey and Jenney (t) | PL-E | Playford 3-2, 1726 | 133 | VN |
| 11111 | //1232//17-6-5-//1232//1425-//1232// | C3 | Theater Tune, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 62 | VN |
| 11111 | //12345/151//12345/151//1+76 | 3/4 | Cantata, A (t) | SS-E | SS, Folger-C42.1 | 242,2-243,1 | VO,KB |
| 11111 | //1-2-3-4-5-6-7-/1234567//1+765432/17-6- 5-4-3-2-//1- |
C | Hall Pursuit (t) | TW-E | Harlequin Dr. F, 1766 | 10 | HAF,GF/VN |
| 11111 | //127-//1355//127-//151+1+//1+776 | 3/4 | Minuetto (t) | IC-S | Stewart Marches, 1773 | 64 | 2VN/GF/OB,VC/HA |
| 11111 | //1+3+1+75//1+6432//13567//1+5//1+3+1+75 |
3/4 | As I Went O'er, &c (t) | SC-S | Scots MM-6, 1803 | 525 | VO,PF |
| 11111 | //132/1232//16-5-//132/1231 | C/ | Over the Hills and Far Away (t) | DA-E | Walsh CD-1.2, 1719 | 74 | VN/OB |
| 11111 | //132/1232//16-5-//132/1231 | C/ | Over the Hills and Far Away (t) | DA-E | Walsh CD-2.2, 1735 | 116 | VO/OB/GF/FL |
| 11111 | //132/1232//16-5-/132/1231 | C/ | Twas O'er the Hills (t) | PL-E | Playford 2-1, 1713 | 55 | VN/OB |
| 11111 | //132/1232//16-5-/132/1231 | C/ | Twas O'er the Hills (t) | PL-E | Playford 2-2, 1714 | 55 | VN/OB |
| 11111 | //132/1232//16-5-//132/1231 | C/ | Twas O'er the Hills (t) | PL-E | Playford 2-3, 1718 | 55 | VN |
| 11111 | //132/1232//16-5-//132/1231 | C/ | Twas O'er the Hills (t) | PL-E | Playford 2-4, 1728 | 55 | VN |
| 11111 | //132/1232//16-5-//132/1231 | C/ | Over the Hills and Far Away (t) | DA-E | Walsh CD-3.2, 1749 | 116 | VN/OB/GF |
| 11111 | //132/17-//17-//17-/12 | C | Two Part Song, A (t) | SS-E | SS, Folger-C42.1 | 201 | 2VO,KBF |
| 11111 | //132/17-//17-//17-/12 | C | Two Part Song, A (t) | SS-E | SS, Folger-C42.4 | 347 | 2VO,B,/KB+FL |
| 11111 | //135//1+2+/1+5//1+2+/123 | C/ | Devils Dead, The (t) | DA-E | Johnson CD-1, 1740 | 80 | MI |
| 11111 | //1-3-5-//12/15-//12/15- | C/ | Scotch Moggy (t) | DA-E | Walsh CD-2.1, 1731 | 130 | VN/OB/GF/RC |
| 11111 | //135//1+2+/1+5//1+2+/1+5 | C/ | Scotch Ayre (t) | PL-E | Playford 1-14, 1709 | 347 | VN |
| 11111 | //135//1+2+/1+5//1+2+/1+5 | C/ | Scotch Ayre (t) | PL-E | Playford 1-15, 1713 | 347 | VN |
| 11111 | //135//1+2+/1+5//1+2+/1+5 | C/ | Scotch Ayre (t) | PL-E | Playford 1-16, 1716 | 347 | VN |
| 11111 | //135//1+2+/1+6//1+2+/1+6 | C/ | Scoth Jigg (t), or D'ls Dead Ye (at) | MS-E | Hammersley MS, 1790 | 84 | MI |
| 11111 | //135-/135-//115353//1/1// | 2/4 | Bugal Quick Step, A (t) | MS-S | Fife MS, 1780 | 603,65r | 1FI OR 2FI/VN |
| 11111 | //1355-6-7-//11-123//11235432//17-567//1 +76543 |
3/4 | On Board the Valiant (t) | AI-A | Riley Flute 2, 1817 | 48 | FL |
| 11111 | //1-5-1-5-/1-5-1-5-//1-5-1-5-/1-5-1-5-// 1- |
2/4 | Enemy Is Cavalry, The (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
| 11111 | //1-5-1-5-/1-5-1-5-//1-5-1-5-/1-5-1-5-// 1- |
To Incline to the Right (t) | AI-A | Gardner Compend, 1819 | PL20 | BU | |
| 11111 | //1-5-1-5-/1-5-1-5-//1-5-1-5-/1-5-1-5-// 1- |
To Incline to the Right (t) | AI-A | US Riflemen, 1824 | PL14 | BU | |
| 11111 | //1-5-1-5-/1-5-1-5-//1-5-1-5-/1-5-1-5-// 1- |
6/8 | Incline to the Right (t) | IC-E | Potter Bugle, 1817 | 5 | BU |
| 11111 | //1-5-1-5-/1-5-1-5-//1-5-1-5-/1-5-1-5-// 1- |
Incline to the Right (t) | AM-A | Beach MS, 1801 | 72 | BU | |
| 11111 | //1-5-3-/1-5-3-//1-5-3-/1-5-3-//1- | 6/8 | Au Galop (t) | IC-F | French Ordinances | App.22 | TR |
| 11111 | //15-315-3/15-315-3//15-35-15-35-/15-35- 16-35-//1 |
C | Drill (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
| 11111 | //1+53/1+53/1+53/15-6-7-//15-3- | 12/8 | Overture (t) | TW-E | Damon & Phil, 1768 | 2-5 | HA |
| 11111 | //1+53/1+53/1+53/15-6-7-//15-3- | 12/8 | Overture (t) | TW-E | Waterman, 1782 | II-V | KB |
| 11111 | //1+567/1+567//1+1+/1+567//1+ | C/ | Medly Duetto, A (t), or Federal Overture - tune 1 (at) | AI-A | Gent's Amus, 1794 | 42-43 | 2GF |
| 11111 | //1+567/1+567//1+1+/1+567//1+ | C/ | Medley Duetto (t), or Federal Overture, Tune 1 (at) | AI-A | Gent's Amus, 1795 | 42 | 2GF |
| 11111 | //17-//12123//17-//12123//1 | 3/8 | Doctor's Study (t) | TW-E | Harlequin Dr. F, 1766 | 6 | HAF,GF/VN |
| 111111 | //1/11//1/11//1/11 | 2/4 | Battle of Trenton, The. Trumpets of Victory (t) | AI-A | American SS-SM | 11 | PF |
| 111111 | //1-/1-1-//1-/1-1-//1-/1-1- | 2/4 | Battle of Trenton, The. Trumpets of Victory (t) | AI-A | American Sheet Music | PF | |
| 111111 | //1/1//1/1//111/11 | 2/4 | Conquete d'Oczakow, La. The Trumpet Sound to Battle (t) | IC-E | English Sheet Music | HA/PF | |
| 111111 | //1-/1-//1-/1-//1-1-1-/1-1- | 2/4 | Siege & Surrender of Valenciennes, The. Trumpet Sound to Arms (t) | IC-S | Scottish Sheet Music | PF/HA | |
| 111111 | //1/1//111/111//1/1 | 6/8 | Aux Armes Ou l'Alarme (t), or Alarme, ou L' (at) | IC-F | French Ordinances | App.15 | TR |
| 111111 | //1-1-/1-1-/1-1-//1-1-/1-1-/1-1- | 3/2 | Charge, La (4 Couplets) (t) | IC-F | French Ordinances | App.12 | TR |
| 111111 | //1/111//111/111//1/1 | 6/8 | Breaking Cover (t) | IC-E | Longman Horn, 1785 | 18 | 2HN |
| 111111 | //1/111//111/111//1/1 | 6/8 | Breaking Cover (t) | IC-E | Simpson Horn, 1745 | 3 | 2HN |
| 111111 | //1/111//111/111//1/1 | 6/8 | Breaking Cover (t) | IC-E | Thompson Horn, 1755 | 11 | 2HN |
| 111111 | //1/1//11/11//1111/1111 | C/ | Chasse, La (t) | AI-A | Six Songs, 1794 | 1-4 | HA/PF |
| 111111 | //111/1111//111//111/1111//111 | C/ | Old and New Courtier, The (t) | SC-E | Pills 3, 1719-20 | 271-3 | VO |
| 111111 | //11/11111//1111//11111//11//11 | 2 | Marche, La (t) | IC-F | Lecoq Madeleine, 1720 | 6-7 | TR |
| 111111 | //1111/1111//1/1111//1111/1111 | C/ | Air 5 (t) | BA-E | Don Quixote Eng, 1734 | 14 | VO |
| 111111 | //1111/1111//1/1111//1111/1111 | C/ | Old and New Courtier of the Queens, The (t) | SS-E | SS, Folger-C42.3 | 485 | VO+FL |
| 111111 | //111/111/111/111111/111/111 | Caualquet, Le (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
| 111111 | //111/1111//111/1111//111/1111111 | C/ | Song 105 (t) | SC-E | Convivial, 1782 | 210-212 | VO |
| 111111 | //11/111111//11/111111//11/111111 | 2/4 | Rally, The (t) | AI-A | US Tactics, 1834 | PL67 | TR |
| 111111 | //11/111111//11/111111//11/111111 | 2/4 | Ralliement, Le (t) | IC-F | French Ordinances | App.16 | TR |
| 111111 | //11/111111//11/111111//11/111111 | 2/4 | Ralliement, Le (t) | IC-F | French Ordinances | App.21 | TR |
| 111111 | //1111/1111//1111/1111//1111/1111 | C/ | Ouverture de l'Amant Statue (t) | IC-F | Vanderhagen Pcs, 1787 | 15:2-3 | 2CL,2HN,2BS |
| 111111 | //11/111111//11/111111//11/111111// | 2/4 | Raliement, Le (t) | IC-F | Buhl Trumpet, 1825 | 28 | TR |
| 111111 | //11/111111//11/111111//115-5-3-3-1-/1-1 -1- |
2/4 | Ralliement, Le (t) | IC-F | French Ordinances | App.18 | TR |
| 111111 | //11/11//11/111//11+/1+7 | 2/4 | Get Up and Bar the Door (t) | SC-S | Scots MM-3, 1790 | 310 | VO,PF |
| 111111 | //1111/1111//12345432/12345432//123455-/ 11-34 |
C/ | Allegro (t) | IC-E | Forest Harmony-3, 1736 | 17 | 2HN/GF/TR/VN |
| 111111 | //11/11//11/11//15-1/15-1 | 6/8 | Run (t) | AI-A | Cooper System, 1836 | 238 | BU |
| 111111 | //11/11//11/11//15-1/15-1 | 6/8 | Pas de Course (t) | IC-F | French Ordinances | App.25 | BU |
| 111111 | //11/11//11/11//15-1/15-1// | 6/8 | Charge, La (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
| 111111 | //11/11//11/11//15-1/15-1// | 6/8 | Run (t) | AI-A | US Tactics, 1835 | 19 | BU |
| 111111 | //1111/1111//15-13/15-13//1111/1111// | C/ | Marche (t) | IC-F | Buhl Trumpet, 1825 | 40 | 2TR |
| 111111 | //1-1-1-/1-1-1-/1-1-5-//1-1-1-/1-1-1-/1- 1-5- |
9/8 | Retiriren (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
| 111111 | //1-1-1-/1-1-1-/1-1-5-//1-1-1-/1-1-1-/1- 1-5- |
9/8 | Retreat (t) | IC-E | Potter Bugle, 1817 | 5 | BU |
| 111111 | //111//111//123//1//143//165 | 3/4 | Grand Waltz (t) | AI-A | Riley Flute 4, 1826 | 77 | FL |
| 111111 | //11/11//11/135//1+2+1+/1+71+// < |