| Incipit |
Time |
Text |
Gnr-Cntry |
Short Title |
Page |
Instrument |
| //1///1/1 |
2/4 |
Come for Orders. Corporals (t) |
AI-A |
Cooper System, 1836 |
237 |
BU |
| //111// |
|
Comme Il Faut Sonner de La Trompe Pour Chiens (t) |
IC-F |
Du Fouilloux Horn, 1585 |
48 |
HN |
| //1///1/1 |
2/4 |
A l'Ordre Pour les Fourriers (t) |
IC-F |
French Ordinances |
App.25 |
BU |
| //1//1/1// |
2/4 |
Come for Orders: Corporals (t) |
AI-A |
US Tactics, 1835 |
18 |
BU |
| //1111// |
3/8 |
Pour Faire Rentrer Les Officiers à Leur Place de Bataille |
IC-F |
Buhl Trumpet, 1825 |
25 |
TR |
| //1///1/1//1 |
2/4 |
Come for Orders. Sergeants (t) |
AI-A |
Cooper System, 1836 |
237 |
BU |
| //1///1/1//1 |
2/4 |
A l'Ordre Pour les Sergens (t) |
IC-F |
French Ordinances |
App.25 |
BU |
| //11/1+1+// |
|
Negative (t) |
IC-E |
Hyde Bugle, 1818 |
45 |
BU |
| //1//1/1//1// |
2/4 |
Come for Orders: Sergeants (t) |
AI-A |
US Tactics, 1835 |
18 |
BU |
| //1///1/1//1/1 |
2/4 |
Come for Orders. First Sergeants (t) |
AI-A |
Cooper System, 1836 |
237 |
BU |
| //111/11// |
|
Comme Il Faut Sonner Avec La Trompe La Mort du Cerf (t) |
IC-F |
Du Fouilloux Horn, 1585 |
51 |
HN |
| //1///1/1//1/1 |
2/4 |
A l'Ordre Pour les Sergens Majors (t) |
IC-F |
French Ordinances |
App.25 |
BU |
| //1//1/1//1/1// |
2/4 |
Come for Orders: First Sergeants (t) |
AI-A |
US Tactics, 1835 |
18 |
BU |
| //1/1//1/1//11 |
C/ |
Battle of Gemmappe, The. Troops Assembling (t) |
AI-A |
American SS-SM |
3-9 |
PF |
| //11/11/11// |
|
Comme Il Faut Sonner de La Trompe Aux Deffaux (t) |
IC-F |
Du Fouilloux Horn, 1585 |
49 |
HN |
| //1111111 |
|
When the Fox Is Not Couerable, to Call Away (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111//1111// |
|
Comme Il Faut Sonner Veuë Avec La Trompe (t) |
IC-F |
Du Fouilloux Horn, 1585 |
49 |
HN |
| //111/11/11// |
|
Comme Il Faut Sonner La Retraicte Avec La Trompe (t) |
IC-F |
Du Fouilloux Horn, 1585 |
51 |
HN |
| //11/1/1111/1// |
|
Comme Il Faut Sonner de La Trompe Pour Faire La Curee (t) |
IC-F |
Du Fouilloux Horn, 1585 |
51 |
HN |
| //1-1-/11//1-1-/11 |
6/8 |
Negative (t) |
IC-E |
Potter Bugle, 1817 |
9 |
BU |
| //111//1//111//1// |
3/4 |
Selection From the Battle of Prague, Go to Bed Home (t) |
AI-A |
Willig Flute, 1795 |
19 |
GF |
| //1/11//1/11//1/11 |
2/4 |
Battle of Trenton, The. Trumpets of Victory (t) |
AI-A |
American SS-SM |
11 |
PF |
| //1-/1-1-//1-/1-1-//1-/1-1- |
2/4 |
Battle of Trenton, The. Trumpets of Victory (t) |
AI-A |
American Sheet Music |
|
PF |
| //1-1-1-1-1-1-1-1-1- |
|
Lie Concealed (t) |
IC-E |
Barber Bugle, 1804 |
Pl.1 |
BU |
| //111111111 |
|
Spring-Up (t) |
IC-E |
Barber Bugle, 1804 |
Pl.1 |
BU |
| //1/1//1/1//111/11 |
2/4 |
Conquete d'Oczakow, La. The Trumpet Sound to Battle (t) |
IC-E |
English Sheet Music |
|
HA/PF |
| //1111/1111//1 |
C/ |
Air 56 (t) |
BA-E |
Fashionable, 1730 |
76 |
VO |
| //1-/1-//1-/1-//1-1-1-/1-1- |
2/4 |
Siege & Surrender of Valenciennes, The. Trumpet Sound to Arms (t) |
IC-S |
Scottish Sheet Music |
|
PF/HA |
| //1/1//111/111//1/1 |
6/8 |
Aux Armes Ou l'Alarme (t), or Alarme, ou L' (at) |
IC-F |
French Ordinances |
App.15 |
TR |
| //111/111//111/11-1 |
6/4 |
Air 14 (t) |
BA-E |
Fashionable, 1730 |
20 |
VO |
| //1-1-/1-1-/1-1-//1-1-/1-1-/1-1- |
3/2 |
Charge, La (4 Couplets) (t) |
IC-F |
French Ordinances |
App.12 |
TR |
| //1/111//111/111//1/1 |
6/8 |
Breaking Cover (t) |
IC-E |
Longman Horn, 1785 |
18 |
2HN |
| //1/111//111/111//1/1 |
6/8 |
Breaking Cover (t) |
IC-E |
Simpson Horn, 1745 |
3 |
2HN |
| //1/111//111/111//1/1 |
6/8 |
Breaking Cover (t) |
IC-E |
Thompson Horn, 1755 |
11 |
2HN |
| //1/1//11/11//1111/1111 |
C/ |
Chasse, La (t) |
AI-A |
Six Songs, 1794 |
1-4 |
HA/PF |
| //111/1111//111//111/1111 |
C/ |
Old Soldiers (t) |
SC-E |
Pills 5, 1719-20 |
217-9 |
VO |
| //1111/1111//1/1111//1111 |
C/ |
Old and New Courtier of the Queens, The (t) |
SS-E |
SS, Harvard |
1 |
VO/FL |
| //1111/1111//1/1111//1111 |
C/ |
Old and New Courtier of the Queens, The (t) |
SS-E |
SS, Harvard |
1 |
VO/FL |
| //111111111//111111111// |
|
Comme on Doit Sonner Les Abbois de La Trompe (t) |
IC-F |
Du Fouilloux Horn, 1585 |
51 |
HN |
| //111111111//111111111// |
|
Comme Il Faut Sonner de La Trompe Apres La Curee (t) |
IC-F |
Du Fouilloux Horn, 1585 |
52 |
HN |
| //1111111111111111111 |
|
Call for the Companie In the Morning, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //11/11111//1111//11111//11//11 |
2 |
Marche, La (t) |
IC-F |
Lecoq Madeleine, 1720 |
6-7 |
TR |
| //111/1111//111//111/1111//111 |
C/ |
Old and New Courtier, The (t) |
SC-E |
Pills 3, 1719-20 |
271-3 |
VO |
| //111111111111111111111 |
|
Death of a Deare with Bowe (t), or Greyhounds, The (at) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111111111 |
|
To Blowe for the Terryers at An Earth (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //1111/1111//1/1111//1111/1111 |
C/ |
Air 5 (t) |
BA-E |
Don Quixote Eng, 1734 |
14 |
VO |
| //111/111/111/111111/111/111 |
|
Caualquet, Le (t) |
IC-F |
Mersenne Harm, 1636 |
5:264 |
TR |
| //111111111111111111111 |
|
Song 43 (t), or of An Old Courtier and a New (at) |
SC-E |
Ritson, 1783 |
TII,140-143;MIII,258 |
VO |
| //1111/1111//1/1111//1111/1111 |
C/ |
Old and New Courtier of the Queens, The (t) |
SS-E |
SS, Folger-C42.3 |
485 |
VO+FL |
//1-1-1-1-1-1-1-1-1//1-1-1-1-1-1-1-1-1// 1-1-1-1-1-1-1-1-1 |
3/4 |
Retreat (t) |
AM-A |
Bugle MS, 1800 |
1 |
BU |
| //11/111111//11/111111//11/111111// |
2/4 |
Raliement, Le (t) |
IC-F |
Buhl Trumpet, 1825 |
28 |
TR |
| //111/1111//111/1111//111/1111111 |
C/ |
Song 105 (t) |
SC-E |
Convivial, 1782 |
210-212 |
VO |
| //11/111111//11/111111//11/111111 |
2/4 |
Ralliement, Le (t) |
IC-F |
French Ordinances |
App.16 |
TR |
| //11/111111//11/111111//11/111111 |
2/4 |
Ralliement, Le (t) |
IC-F |
French Ordinances |
App.21 |
TR |
| //11/111111//11/111111//11/111111 |
2/4 |
Rally, The (t) |
AI-A |
US Tactics, 1834 |
PL67 |
TR |
| //1111/1111//1111/1111//1111/1111 |
C/ |
Ouverture de l'Amant Statue (t) |
IC-F |
Vanderhagen Pcs, 1787 |
15:2-3 |
2CL,2HN,2BS |
| //11111111111111111111111111 |
|
Strake of Nyne, to Draw Home the Company, A (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111111111111111 |
|
Streaking from Couert to Couert, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //1111111111//1111111111111111111 |
|
Strake to the Field, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //11111111111111111111111//111111 |
|
Rechate, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //11111111111//111111111111111111 |
|
Breaking Cover (t) |
IC-E |
Longman Horn, 1785 |
14-15 |
HN |
| //11111111111//111111111111111111 |
|
Breaking Cover, The (t) |
IC-E |
Muses Delight, 1754 |
27 |
HN |
| //11111111111//111111111111111111 |
|
Breaking Cover (t) |
IC-E |
Simpson Horn, 1746 |
7 |
HN |
| //11111111111//111111111111111111 |
|
Breaking Cover (t) |
IC-E |
Thompson Horn, 1755 |
7 |
HN |
| //111111111111111//111111111111111 |
|
Uncoupling of the Couert Side, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111111111111111111 |
|
When the Hounds Doe Hunt a Game or Chase Unknowen (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111//111111111111111 |
|
When the Game Doth Breake Couert (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111//111111111111111 |
|
Death of a Fox, Either In Field or Couert, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111//111111111111111 |
|
Death of a Bucke with Hounds, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111//111111111111111 |
|
Pryse of An Hart Royall, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //111111111111111111//111111111111111 |
|
Seeke, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //1111111//1111111//1111111111111111111 |
|
Foure Sundry Calls for a Keeper, In Parke, Chase, or Forrest (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
//111111111111111//111111111111111111111 11 |
|
Earthing of a Fox, If He Be Couerable, The (t) |
IC-E |
Art of Venerie, 1575 |
|
HN |
| //11111/11111/111111111/11111/311111 |
|
Double Cavalquet, Le (t) |
MS-E |
Kusser MS, 1710 |
312 |
TR |
//11111/11111/111111111/1111131111115-11 |
|
Double Caualquet, Le (t) |
IC-F |
Mersenne Harm, 1636 |
5:264 |
TR |
| //111/111/111/111111/111/111/311 |
|
Simple Cavalquet, Le (t) |
MS-E |
Kusser MS, 1710 |
312 |
TR |
//1-1-1-1-1-1-//1-1-1-1-1-1-//1-1-1-1-1- 1-//2-3-//3- |
3/4 |
Charge, La (t) |
IC-F |
French Ordinances |
App.15 |
TR |
//11/111111//11/111111//115-5-3-3-1-/1-1 -1- |
2/4 |
Ralliement, Le (t) |
IC-F |
French Ordinances |
App.18 |
TR |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/1-1-3-1-// 5-5-5-5-/5-5-3-1- |
2/4 |
General, The (t) |
AI-A |
US Tactics, 1834 |
PL66 |
TR |
//1-1-1-1-1-1-1-1-//1-1-1-1-1-1-3-1-//5- 5-5-5-5-5-3-1- |
3/4 |
Generale, La (6 Couplets) (t) |
IC-F |
French Ordinances |
App.16 |
TR |
//1-1-1-1-1-1-1-1-//1-1-1-1-1-1-3-1-//5- 5-5-5-5-5-3-1-//-2-- |
3/4 |
Generale, La (t) |
IC-F |
French Ordinances |
App.21 |
TR |
| //11111111//11111131//55555531//5-5-// |
3/4 |
Générale, La (t) |
IC-F |
Buhl Trumpet, 1825 |
29 |
TR |
| //11111111111113111111111111111111//1 |
|
Marche, La (t) |
MS-F |
Philidor MS, 1705 |
37 |
TR |
| //1111//11111//1111//5- |
3/4 |
Charge, The (t) |
AI-A |
Cooper System, 1836 |
241 |
BU |
| //111/11/11//111/11/22//111/11/11// |
3/4 |
Vestris' Bolero (t) |
DA-E |
Wilson Companion, 1816 |
176-177 |
MI |
| //1-1-1-1-1-1-1-1-1-1-1-1-3- |
|
March (t) |
IC-E |
Broderip Sounds, 1799 |
10 |
TR |
| //1111111111113 |
|
March (t) |
IC-E |
Broderip Sounds, 1799 |
19 |
BU |
| //1111111111113// |
|
March (t) |
IC-E |
Hyde Bugle, 1818 |
38 |
TR |
| //1111111111113// |
|
March (t) |
IC-E |
Hyde Bugle, 1818 |
40 |
BU |
| //1+1+/1+1+//1+1+1+/1+1+1+//1+1+3+// |
|
Enemy Are Halted, The (t) |
IC-E |
Hyde Bugle, 1818 |
45 |
BU |
| //1-1-1-1-1-1-1-1-1-1-1-1-3- |
|
March (t) |
IC-E |
Hyde Trumpet, 1798 |
17 |
TR |
| //1111111111113 |
|
March (t) |
IC-E |
Hyde Trumpet, 1798 |
23 |
BU |
| //11/11//111/111//113 |
C |
Enemy Are Halted, The (t) |
IC-E |
Potter Bugle, 1817 |
10 |
BU |
| //111/11+//11+/11+//111/3 |
6/8 |
Dance, A (t) |
AI-A |
Riley Flute 2, 1817 |
68 |
FL |
| //111/111//111/111//3-11/111 |
6/8 |
Post(1-4) (t) |
MS-G |
Darmstadt MS 1224 |
143 |
TR |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/3-1-1-1-// 1-//1- |
2/4 |
En Avant (t) |
IC-F |
French Ordinances |
App.22 |
TR |
| //1111/1111//1111/3111//11/11// |
2/4 |
March (t) |
AI-A |
Anderson Bugle, 1839 |
190 |
BU |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/3-1-1-1-// 1-1-/1-1- |
2/4 |
Marche, La (t) |
IC-F |
French Ordinances |
App.21 |
TR |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/3-1-1-1-// 1-1-/1-1- |
2/4 |
Marche, La (t) |
IC-F |
French Ordinances |
App.23 |
4TR |
//1-1-1-1-1-1-1-1-1-1-1-1-3-//1-1-1-1-1- 1-1-1-1-1-1-1-1-1-1- |
|
Parade March (t) |
IC-E |
Broderip Sounds, 1799 |
5 |
TR |
| //11111111111131111111111// |
|
Parade March (t) |
IC-E |
Hyde Bugle, 1818 |
36 |
TR |
//1-1-1-1-1-1-1-1-1-1-1-1-3-1-1-1-1-1-1- 1-1-1-1-1-1-1-1-1-1- |
|
Parade March (t) |
IC-E |
Hyde Trumpet, 1798 |
13 |
TR |
//1-1-1-1-/1-1-1-1-/1-1-1-1-/3-1-1-1--2- 5-5-5-/15-15-15-3-1- |
C/ |
Battle of Trenton, The. Trumpets Sound the Charge (t) |
AI-A |
American Sheet Music |
|
PF |
//1111/1111//1111/31115-555//1+51+51+531 |
C/ |
Battle of Trenton, The. Trumpets Sound the Charge (t) |
AI-A |
American SS-SM |
4-8 |
PF |
| //11111/1/11111/1//31313131/42424242 |
C/ |
|
IC-E |
Forest Harmony-2, 1733 |
13 |
2HN/GF/TR/VN |
| //1111//1111//1111//5- |
3/4 |
Charge, La (5 Couplets) (t) |
IC-F |
French Ordinances |
App.16 |
TR |
| //1111//1111//1111//5- |
3/4 |
Charge, The (t) |
AI-A |
US Tactics, 1834 |
PL67 |
TR |
| //1111//1111//1111//5-//33//131313// |
3/4 |
Charge, La (t) |
IC-F |
Buhl Trumpet, 1825 |
27 |
TR |
//1111/1111/1111//5-5-5-5-/5-5-5-5-/5-5- 5-5-//5-5-5-5-/5-5-5-5-/5-5-5-5-// |
3 (ed) |
Battle, The. the Battle Joined (t), or Battle Joined, The (at) |
MS-E |
Rogers MS, 1656 |
38-39 |
VI |
| //1+1+1+1+1+1+//1+1+1+1+1+1+//6-1 |
|
|
AM-A |
Cary MS, 1797 |
125 |
VN |
| //11/11//11/111//11+/1+7 |
2/4 |
Get Up and Bar the Door (t) |
SC-S |
Scots MM-3, 1790 |
310 |
VO,PF |
| //11111/1//1111323/1//31313131/42424242 |
C |
French Hunting Tune (t) |
IC-E |
Simpson Horn, 1746 |
18-19 |
2HN |
//1-1-1-1-/1-1-1-1-//1-1-3-5-/15-3-5-//5 55/5671+ |
C/ |
Governor Tomkins's March (t) |
AI-A |
American Sheet Music |
2 |
PF |
//11111//11111//5-5-5-5-5-//5-//11111//1 1111 |
3/4 |
En Arriere (t) |
IC-F |
French Ordinances |
App.17 |
TR |
| //1+11+/1+11+//1+11/15//645/1+567 |
C/ |
Marsch des Regiments Zweite Garde (t) |
MS-G |
Saxon Marches, 1729 |
|
2OB,2HN,2BS |
| //111111/1111//7-6-2/21//111111/1111 |
C |
Song 106 (t) |
SC-E |
Convivial, 1782 |
212-218 |
VO |
| //11/11//111/11//21/7-1//2 |
C/ |
Sir John Barleycorn (t) |
SS-E |
SS, Harvard |
1 |
VO,B |
| //1111/111//112/3//1111/1111 |
6/8 |
Introduction (t) |
TW-E |
Enchanted Cas, 1787 |
2-4 |
VO,KB |
//1111/1111//12345432/12345432//123455-/ 11-34 |
C/ |
Allegro (t) |
IC-E |
Forest Harmony-3, 1736 |
17 |
2HN/GF/TR/VN |
| //1/1//1/1//111/11//311/11// |
2/4 |
March In Honour of the British Seamen (t) |
IC-E |
Naval Compendium, 1800 |
4-5 |
2FL/VN,PF |
| //1/1111//1111/3111//11/11// |
2/4 |
Marche, La (t) |
IC-F |
Buhl Trumpet, 1825 |
26 |
TR |
//1-/1-1-1-1-//1-1-1-1-/3-1-1-1-//1-1-/1 -1- |
2/4 |
Marche, La (5 Couplets) (t) |
IC-F |
French Ordinances |
App.16 |
TR |
//1-/1-1-1-1-//1-1-1-1-/3-1-1-1-//1-1-/1 -1- |
2/4 |
March, The (t) |
AI-A |
US Tactics, 1834 |
PL66 |
TR |
//1-1-1-1-1-/1-1-1-1-//3-/1-1-3-//5-5-5- 5-/5-3- |
2/4 |
Corvees, Les (t) |
IC-F |
French Ordinances |
App.18 |
TR |
//1-1-1-1-1-/1-1-1-1-//3-3-3-3-3-/3-3-3- 3-//5-5-5-5-5-/5-5-5 |
C |
Captain Deems's March (t) |
AI-A |
American Sheet Music |
|
PF |
| //111/111//111/35//111/313 |
6/8 |
North Highland Reel, A (t) |
IC-S |
Aird 5, 1797 |
69 |
FI/VN/GF |
| //1111/1111//135/1+53//2222/32 |
6/8 |
Irish Bull, The (t) |
DA-E |
Walsh CD-2.4, 1747 |
71 |
MI |
| //1111/1111//135/1+53//2222/32// |
6/8 |
Irish Bull, The (t) |
DA-E |
Walsh CD-3.4, 1747 |
71 |
VN/OB/GF |
| //111/111//1/1//15 |
6/8 |
Pour la Requete Ou le Deffaut (t), or Deffaut, ou Le (at) |
IC-F |
Boivin Tons, 1731 |
2 |
2HN/GF/OB/VN/VA |
| //11/11//11/11//15-1/15-1 |
6/8 |
Run (t) |
AI-A |
Cooper System, 1836 |
238 |
BU |
| //11/11//11/11//15-1/15-1 |
6/8 |
Pas de Course (t) |
IC-F |
French Ordinances |
App.25 |
BU |
| //11/11//11/11//15-1/15-1// |
6/8 |
Charge, La (t) |
IC-F |
Lelouterel Clairon, 1825 |
pl. 6 |
BU |
| //11/11//11/11//15-1/15-1// |
6/8 |
Run (t) |
AI-A |
US Tactics, 1835 |
19 |
BU |
| //1111/1111//15-13/15-13//1111/1111// |
C/ |
Marche (t) |
IC-F |
Buhl Trumpet, 1825 |
40 |
2TR |
| //1111/1111//15-13/15-13//1333/3333// |
C |
Marche (t) |
IC-F |
Buhl Trumpet, 1825 |
48-49 |
4TR |
| //1111/1111//15-13/15-13//1333/3333 |
C |
Pas Ordinaire, Le (t) |
IC-F |
French Ordinances |
App.22 |
TR |
| //1111/1111//15-13/15-13//1333/3333 |
C |
Pas Ordinaire, Le (t) |
IC-F |
French Ordinances |
App.22-23 |
4TR |
| //1+/1+1+1+//1+/1+1+1+//1+5-5-/37-6-7- |
C/ |
Rossini's Grand March... Barbiere de Seviglia (t) |
AI-A |
American Sheet Music |
2 |
PF |
| //11/11//11/11//1/5-5-5-5- |
2 |
Marche de Timballes (t) |
MS-F |
Philidor MS, 1705 |
33-34 |
TI |
| //1111//1111//1+7 |
2/4 |
Pantaloon, The (t) |
DA-E |
Thompson CD-5, 1788 |
66 |
VN/GF/OB |
| //111/1//111/1//1+/7// |
2/4 |
Pantaloon, The (t) |
DA-E |
Thompson CD-5a, 1788 |
66 |
VN/GF/OB |
| //11-1-1-1-1-1-1-/17-123234//543 |
C |
Bustle with Watchmen and Gamblers (t) |
TW-E |
Choice/Harleq, 1781 |
28-9 |
HAF |
| //11/11//1/111//21/7-1 |
C/ |
Rise of Pedigree, The (t) |
SS-E |
SS, Folger-C42.4 |
1 |
VO+FL |
| //11/11//11/11//21/7-1//2 |
2/4 |
Barking Barber, The (t), or New Bow Wow, Or; (at) |
SS-E |
SS, Harvard |
1-2 |
VO,KB |
| //11/11//1/111//21/7-1//22 |
C/ |
Rise of Pedigree, The (t) |
SS-E |
SS, Harvard |
1,DUP |
VO+FL |
| //11/11//11/11//22/24 |
2/4 |
Heredetary Prince, The (t) |
DA-E |
Cantelo CD, 1785 |
16 |
KB |
| //11/11//111/12//33/33 |
6/8 |
Flying Artillery's March (t) |
AI-A |
Camp Dupont, 1816 |
17 |
2GF/FI/VN,PF |
| //11/11//11/112//33/34 |
C |
Lassie All Alone, A (t) |
SC-S |
Scots MM-5, 1797 |
418 |
VO,PF |
| //111/111//112//334/5433 |
C |
Air 47 (t) |
BA-E |
Achilles, 1733 |
61 |
VO |
| //1+1/11//11/11//2/34//31 |
2/4 |
To speak my mind of womankind (fl) |
TW-E |
Maid/Mill, 1765 |
57 |
VO,HAF |
//1-1-1-1-/1-1-1-1-//3-1-1-1-/1-1-//1-1- /1-1- |
C/ |
Marches (4 Couplets) (t) |
IC-F |
French Ordinances |
App.15 |
TR |
| //111//111//113-//111//1111111 |
|
Marche (t) |
IC-G |
Bavarian March, 1807 |
27 |
TR |
| //1111/1111//311/1111//1+/5+ |
2/4 |
Miss Beutick's Fancy (t) |
IC-S |
Aird 6, 1803 |
35 |
FI/VN/GF |
| //1111111131115-5-5-5-11115-11 |
|
Selection From the Battle of Prague, Trumpet of Victory (t) |
AI-A |
Willig Flute, 1795 |
18 |
GF |
| //11/11//11/11//31/217- |
6/8 |
Village Quick Step (t) |
AM-A |
Kingsley MS, 1795 |
II,9 |
MI |
| //111/1111//131/724//311/1111// |
C |
Slow March by B. Rackaman (t) |
MS-C |
Molyneaux MS-2, 1788 |
46 |
1 OR 2 GF |
| //111/11//11/13//21/7-6- |
2/4 |
Campana, La (t) |
MS-M |
Garcia MS, 1772 |
10 |
MI |
| //1-1-1-/1-1-1-//1-1/33//3243/5465 |
C |
Battle of Waterloo, The. Grand March on Entering the Field (t) |
AI-A |
American Sheet Music |
13 |
PF |
| //1-1-/1-1-//1-1-/1-1-//3-3-/3-3- |
2/4 |
Charge, La (t) |
IC-F |
French Ordinances |
App.21 |
TR |
//111//111//113355//1234//515161//515161 |
3 |
Minuet (t) |
AM-A |
Pynchon MS, 1797 |
11v |
MI |
| //1+1+/1+1+//11/11//345/432// |
6/8 |
No. 3 (t) |
DA-E |
Leichte Englische, 1795 |
3 |
MI |
| //111111114443445 |
|
Vicar of Bray (t) |
AM-A |
Allen, W. MS, 1790 |
63-64 |
2VO |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
|
Retreat (t) |
IC-E |
Barber Bugle, 1804 |
Pl.1 |
BU |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
|
Retreat (t) |
IC-E |
British Bugle, 1798 |
PL.7 |
BU |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
|
Retreat (t) |
IC-E |
British Bugle, 1799 |
PL.7 |
BU |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
|
To Retreat (t) |
IC-E |
British Bugle, 1824 |
55 |
BU |
| //111111115//111111115// |
|
To Retreat (t) |
AI-A |
Gardner Compend, 1819 |
PL20 |
BU |
//1-1-1-/1-1-1-/1-1-5-//1-1-1-/1-1-1-/1- 1-5- |
9/8 |
Retiriren (t) |
IC-G |
Hanoverian Inf, 1821 |
53 |
HN |
//1-1-1-/1-1-1-/1-1-5-//1-1-1-/1-1-1-/1- 1-5- |
9/8 |
Retreat (t) |
IC-E |
Potter Bugle, 1817 |
5 |
BU |
| //111111115//111111115// |
|
To Retreat (t) |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- //1-1-1-1-1-1-1-1-5- |
|
Retreat (t) |
IC-E |
Gilbert Bugle, 1804 |
2 |
BU |
//1-1-1-1-1-1-1-1-5-/1-1-1-1-1-1-1-1-5-/ 1-1-1-1-1-1-1-1-5- |
|
Retreat (t) |
IC-E |
Cooper Guide, 1806 |
3 |
BU |
//1-1-1-1-1-1-1-1-5-1-1-1-1-1-1-1-1-5-1- 1-1-1-1-1-1-1-5- |
|
Retreat (t) |
IC-E |
Jones Bugle, 1805 |
3 |
BU |
| //111111115//111111115//111111115// |
|
Retreat (t) |
AM-A |
Beach MS, 1801 |
72 |
BU |
| //111111115//111111115//111111115// |
|
To Retreat. No. 7 (t) |
IC-E |
British Bugle, 1813 |
13 |
BU |
| //111111115//111111115//111111115// |
|
To Retreat. No. VII. (t) |
IC-E |
British Bugle, 1833 |
322 |
BU |
| //111111115//111111115//111111115// |
3/4 |
Halt (t) |
AI-A |
Duane Compendium, 1809 |
xviii |
BU |
| //111111115//111111115//111111115// |
3/4 |
Buglers Call (t) |
AI-A |
Duane Riflemen, 1812 |
105 |
BU |
| //111111115111111115111111115// |
|
Retreat (t) |
IC-E |
Hyde Bugle, 1818 |
44 |
BU |
| //111/1111//1/5-//12/34 |
|
Waldecker Grenadier March (t) |
MS-G |
Darmstadt MS 1224 |
17 |
MI |
| //111/1111//1/5-//12/34 |
C |
Grandiere March Von Waldeck (t) |
MS-G |
Darmstadt MS 1224 |
18 |
MI |
| //111/1111//1/5-//12/34 |
C/ |
Waldeck (t) |
MS-G |
Darmstadt MS 1225 |
235 |
MI |
| //111/1111//15-/1234//53/45 |
C |
Grenadier Marche de Waldeck (t) |
MS-G |
Darmstadt MS 1224 |
75 |
MI |
| /11//11/11//1/15-13//25-24/ |
C/ |
Chaine, La (t) |
IC-E |
Welcker Cots, 1768 |
2 |
GT |
| //1111111/15-15-//12343/254 |
C |
Litchfield's Trumpet March (t) |
IC-E |
Musica Bell, 1733 |
22 |
FL/VN/OB |
| //111/1111//1/5-//222/2222 |
C |
|
IC-E |
Forest Harmony-2, 1733 |
15 |
2HN/GF/TR/VN |
//111/1111//15-25-/35-25-//15-25-/35-25- |
C/ |
March (t) |
IC-E |
Simpson Horn, 1745 |
8-9 |
2HN |
| //111/111//11+/53//1234/5656 |
C/ |
Bennet's March (t) |
AI-A |
Merrimack Coll, 1833 |
44 |
2MI,B |
//1-1-1-1-1-1-1-1-7-//1-1-1-1-1-1-1-1-7- //1-1-1-1-1-1-1-1-7- |
3/4 |
Retreat (t) |
AI-A |
Hoyt Cavalry, 1813 |
Pl 13 |
TR,BU |
| //1+1+1+/1+1+1+1+//1+76/51+3//4345/4654 |
C |
March for the Thirty-Fifth Regiment (t) |
IC-E |
Bennett Fife, 1770 |
14 |
2FI |
| //1+1+1+/1+1+1+1+//1+76/51+3//4345/4654 |
C |
March for the 35th Regiment (t) |
AM-A |
Cabot MS, 1784 |
3 |
2GF |
| //1+1+1+/1+1+1+1+//1+76/51+3//4345/4654 |
C |
March of the Thirty-Fifth Regiment (t) |
AI-A |
Willig Fife, 1805 |
14 |
2FI |
//1+1+1+/1+1+1+1+//1+76/51+3//4345/4654/ / |
C |
March of the Thirty Fifth Regiment (t) |
AI-A |
Willig Fife, 1826 |
16 |
2FI |
| //11/111//11/17-6-//5-4- |
C/ |
Lass with Ye Nut-Brown Hair, The (t) |
SS-E |
SS, Folger-C42.3 |
295 |
VO+FL |
| //111/1111//17-6-/5-4-3-2-//1- |
C/ |
March (t) |
IC-E |
Delightful-2, 1745 |
IV,28 |
GF |
| //111/1111//17-6-/5-4-3-2-//1-/12 |
C/ |
March (t) |
IC-E |
Musica Bell, 1733 |
21 |
FL/VN/OB |
//111/1111//17-6-/5-4-3-2-//1-2-3-/4-5-6 -7- |
2 |
Marche de Cupis (t) |
MS-F |
Marches MS, 1795 |
9V |
2VN |
| //1+1+1+/1+1+1+1+//1+76//5434/5434 |
C/ |
Marlborough's Victory (t) |
PL-E |
Playford 2-1, 1713 |
167 |
VN/OB |
| //1+1+1+/1+1+1+1+//1+76//5434/5434 |
C/ |
Marlborough's Victory (t) |
PL-E |
Playford 2-2, 1714 |
167 |
VN/OB |
| //1+1+1+/1+1+1+1+//1+76//5434/5434 |
C/ |
Marlborough's Victory (t) |
PL-E |
Playford 2-3, 1718 |
167 |
VN |
| //1+1+1+/1+1+1+1+//1+76//5434/5434 |
C/ |
Marlborough's Victory (t) |
PL-E |
Playford 2-4, 1728 |
167 |
VN |
| //1+1+1+/1+1+1+1+//1+76//5434/5434 |
C/ |
Marlborough's Victory (t) |
DA-E |
Walsh CD-1.2, 1719 |
186 |
VN/OB |
| //1111/1111//7-6-5-4-/5-5-//2222/2255 |
C/ |
Bataille d'Jena, La. Marche des Troupes Francaises Infanterie Legere (t) |
IC-N |
Netherlands Sheet Music |
19 |
PF |
| //111/11//11/1//7-7-7-/7-7- |
2/4 |
Quartetto (t) |
TW-E |
Oscar & Malvina, 1791 |
10-13 |
4VO,KB |
| //11111//11+2+1+2+3+//2+754//43//55555 |
3/4 |
Prince Charles's Minuet (t) |
MS-S |
Gillespie MS, 1768 |
79 |
VN |
| //11//11//1/11//21/7-1 |
C |
Song, A (t) |
SC-E |
Pills 3, 1719-20 |
63-4 |
VO |
| //11/11//1/11//21/7-1 |
|
Strawbery (t) |
SS-E |
SS, Folger-C42.3 |
132 |
VO+FL |
| //111//1111//217-1 |
2/4 |
Ally Croaker (t) |
DA-E |
Thompson CD-1, 1757 |
41 |
VN/GF/OB |
| //1/11//11/11//21/7-1// |
2/4 |
Ally Croaker (t) |
DA-E |
Thompson CD-1a, 1757 |
40 |
VN/GF/OB |
| //1/11//11/11//21/7-1// |
2/4 |
Ally Croker (t) |
DA-E |
Universal Magazine |
1:178, 1754 |
MI |
| //11/11//1/11//21/7-1 |
C/ |
Fryar and the Nun, The (t) |
DA-E |
Walsh CD-1.1, 1718 |
67 |
VN/OB/FL |
| //11/11//1/11//21/7-1 |
C/ |
Fryar and the Nun, The (t) |
DA-E |
Walsh CD-2.1, 1731 |
141 |
VN/OB/GF/RC |
| //11/11//1/11//21/7-1 |
C/ |
Fryar and the Nun, The (t) |
DA-E |
Walsh CD-3.1, 1754 |
192 |
VN/OB/GF |
| //11/11//1/11//21/7-1//22 |
C/ |
Strawbery (t) |
SC-E |
Pills 6, 1719-20 |
348-9 |
VO |
| //11111/1121//7-5-27-/5-//22222/2232 |
C/ |
Grand March... Miss C. Boller (t) |
AI-A |
American Sheet Music |
2 |
PF |
| //1/11//1/111//21/7-6- |
C/ |
Trois Grandes Marches Militaires... le Grand Duc Nicolas de Russie (t) |
MS-E |
English BL Add MSS |
|
BAND(27 PARTS) |
//111/1111//217-6-/5-6-7-//6-5-4-/3-5-// 5-1 |
C/ |
Sir William Butler's Bald Colt (t) |
SC-E |
Pills 4, 1719-20 |
222-3 |
VO |
| //111/11//11/22//34/56 |
2/4 |
Mr John Dale's Favorite (t) |
IC-S |
Vogel Marches, 1802 |
11 |
PF |
| //111//111//123//1//143//165 |
3/4 |
Grand Waltz (t) |
AI-A |
Riley Flute 4, 1826 |
77 |
FL |
//11111//11231//27-5-4-//4-3-5-//6-7-1// 7-25-7-24// |
3/4 |
Minuet, A (t) |
DA-E |
London Magazine |
244, 1755 |
MI,B |
| //111//111//123//1//43//1+7// |
3/4 |
Celebrated Grand Waltz, The (t) |
AM-A |
Pynchon MS, 1797 |
26r-27v |
MI |
//11111//11+2+3+//2+754//43//5-5-5-5-5-/ /5-4-3-// |
3/4 |
Minuetto (t) |
MS-E |
Malecot MS, 1779 |
17 |
VN |
| //111/111//123/321//222/222 |
6/8 |
Double Dragg (t) |
AI-A |
Herrick Preceptor, 1807 |
41 |
2MI,B |
| //111/111//123/321//222/222 |
6/8 |
Double Dragg (t) |
AI-A |
Village Fifer, 1808 |
17 |
2FI |
| //111/11//112//333/33//334 |
C |
Prince of Wales's March (t) |
MS-E |
English BL Add MSS |
|
KB |
| //111/11//1/1//23/432// |
C/ |
Duke of Lorain's March, The (t) |
IC-E |
Apollo's Banquet 1-1, 1670 |
43 |
VN |
| //111/11//1/1//23/432 |
C/ |
Duke of Lorrain's March (t) |
DA-E |
Johnson CD-3, 1744 |
48 |
VN/GF |
| //111/11//1/1//23/432 |
C/ |
Duke of Lorain's March (t) |
PL-E |
Playford 1-10, 1698 |
68 |
VN |
| //111/11//1/1//23/432 |
C/ |
Duke of Lorrain's March (t) |
PL-E |
Playford 1-13, 1706 |
68 |
VN |
| //111/11//1/1//23/432 |
C/ |
Duke of Lorrain's March (t) |
PL-E |
Playford 1-15, 1713 |
68 |
VN |
| //111/11//1/1//23/432 |
C/ |
Duke of Lorrain's March (t) |
PL-E |
Playford 1-16, 1716 |
68 |
VN |
| //111/11//1/1//23/432 |
C/ |
Duke of Lorrain's March (t) |
DA-E |
Walsh CD-2.4, 1747 |
151 |
MI |
| //111/11//1/1//23/432// |
C/ |
Duke of Lorrain's March (t) |
DA-E |
Walsh CD-3.4, 1747 |
151 |
VN/OB/GF |
| //11+1/111//123/432//11-1-/1-1-1-// |
6/8 |
No. 9 (t) |
DA-E |
Leichte Englische, 1795 |
9 |
MI |
| //11-1/11-1//1/234//321/7-6-5// |
2/4 |
No. 21 (t) |
DA-G |
Feldtenstein Chorographie,1776 |
Tabula 7 |
MI |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March, The (t) |
PL-E |
Playford 1-03a, 1657 |
I,125 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March, The (t) |
PL-E |
Playford 1-04, 1670 |
127 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March, The (t) |
PL-E |
Playford 1-05, 1675 |
127 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March, The (t) |
PL-E |
Playford 1-06, 1679 |
127 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March, The (t) |
PL-E |
Playford 1-07, 1686 |
127 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March, The (t) |
PL-E |
Playford 1-08, 1690 |
123 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March (t) |
PL-E |
Playford 1-09, 1695 |
68 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March (t) |
PL-E |
Playford 1-11, 1701 |
I,68 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorrain's March (t) |
PL-E |
Playford 1-12, 1703 |
68 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorrain's March (t) |
PL-E |
Playford 1-14, 1709 |
68 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorrain's March (t) |
PL-E |
Playford 1-17, 1721 |
68 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorrain's March (t) |
PL-E |
Playford 1-18, 1728 |
68 |
VN |
| //111/11//1/1//23/432//3 |
C/ |
Duke of Lorain's March, The (t) |
PL-E |
Playford 1-3b, 1665 |
I,125 |
VN |
| //111/111//1234/531//111/111 |
6/8 |
Mr Binden's Fancy, Irish (t) |
IC-S |
Aird 5, 1797 |
51 |
FI/VN/GF |
//1+1111//11234//55-5-5-5-//5-4//3216432 |
3/4 |
Miss Pringle S Minuet (t) |
MS-S |
Gillespie MS, 1768 |
80 |
VN |
//11-1-1-1-1-//1-234//55-5-5-5-5-//5-//1 12311231123 |
3/4 |
|
TW-E |
Harlequin Sorc, 1752 |
3 |
HA |
| //1+1+1+1+/1+11234//5555/571+//2+ |
C/ |
Sonata (t) |
AI-A |
Instrum Asst, 1800 |
77-79 |
2VN/2GF/2CL/2OB,BVIOL |
//1+11//111//123456//7//654//321//7-1125 - |
3/8 |
Minuet (t) |
IC-E |
Delightful-2, 1745 |
I,5 |
GF |
| //111/111//12/35-//5-13/212// |
6/8 |
Stag Brisk, The. No. 12 (t) |
AI-A |
Johnson, F. Cotillions |
7 |
PF |
| //11/11//11/13//21/16- |
C/ |
Christ Church Bells In Oxon (t) |
DA-E |
Walsh CD-2.1, 1731 |
104 |
VN/OB/GF/RC |
| //11/11//11/13//21/16- |
C/ |
Christ Church Bells In Oxon (t) |
DA-E |
Walsh CD-3.1, 1754 |
150 |
VN/OB/GF |
| //11/11//11/13//21/7-6-// |
C/ |
Carillon D'Oxfort, Le (t) |
DA-F |
Feuillet Recueil, 1706 |
49-54 |
MI |
| //11/11//11/13//21/7-6- |
C/ |
Christ Church Bells (t) |
MS-E |
Hammersley MS, 1790 |
45B |
MI |
| //11/11//11/13//21/7-6-// |
C/ |
Carillion Doxfort, Le (t) |
MS-G |
Jayme MS, 1717 |
6 |
MI |
| //11/11//11/13//21/7-6-// |
C/ |
Carilion D'Oxfort, La (t) |
MS-G |
Jayme MS, 1717 |
43 |
MI |
| //11/11//11/13//21/7-6-// |
2 |
Carillon D'Oxffor, Le (t) |
IC-F |
Leclerc Recueil-1, 1729 |
4 |
HAF |
| //11/11/11/13//21/7-6-// |
C/ |
Christchurch Bells (t) |
MS-F |
Lorin MS-1, 1685 |
8v-9r |
MI |
| //11/11/11/13//21/7-6-// |
C/ |
Bells, Les Cloches ou le Carillon (t) |
MS-F |
Lorin MS-2, 1688 |
35 |
MI |
| //11/11//11/13//21/7-6- |
C/ |
Christchurch Bells (t) |
PL-E |
Playford 1-06, 1679 |
177 |
VN |
| //11/11//11/13//21/7-6- |
C/ |
Christ-Church Bells In Oxon (t) |
PL-E |
Playford 1-09, 1695 |
104 |
VN |
| //11/11//11/13//21/7-6- |
C/ |
Christ-Church Bells In Oxon (t) |
PL-E |
Playford 1-10, 1698 |
104 |
VN |
| //11/11/11/13//21/7-6- |
C/ |
Christ Church Bells In Oxon (t) |
PL-E |
Playford 1-12, 1703 |
104 |
VN |
| //11/11//11/13//21/7-6- |
C/ |
Christ Church Bells In Oxon (t) |
PL-E |
Playford 1-14, 1709 |
104 |
VN |
| //11/11//11/13//21/7-6-// |
C/ |
Christ Church Bells In Oxon Contre-Danse Angloise (t) |
IC-F |
Pointel Airs, 1700 |
3 |
MI,B |
| //11/11//11/13//21/7-6-// |
C/ |
Carillon (t) |
IC-N |
Pointel Recueil, 1688 |
13 |
MI/B |
| //11/11//11/13//21/7-6- |
C |
Air 11 (t) |
BA-E |
Polly, 1729 |
T13M4-5 |
VO,B |
| //11/11//11/13//21/7-6- |
C/ |
Christ-Church Bells In Oxon (t) |
DA-E |
Walsh CD-1.1, 1718 |
115 |
VN/OB/FL |
| //11/11//11/13//21/7-6-//5- |
C/ |
Catch for Three In One, A (t) |
AM-A |
Brown, H. MS, 1797 |
34 |
3VO |
| //11/11//11/13//21/7-6-//5- |
C/ |
Christchurch Bells (t) |
PL-E |
Playford 1-07, 1686 |
177 |
VN |
| //11/11//11/13//21/7-6-//5- |
C/ |
Christ-Church Bells In Oxon (t) |
PL-E |
Playford 1-11, 1701 |
I,104 |
VN |
| //11/11//11/13//21/7-6-//5- |
C/ |
Christ Church Bells In Oxon (t) |
PL-E |
Playford 1-13, 1706 |
104 |
VN |
| //1+1+1+/1+1+1+//1+3+2+/1+76//51+5/642 |
2/4 |
Demain Elle N'a Plus la Rose (t) |
IC-F |
Vanderhagen Am, 1776 |
4-5 |
2CL,2HN,2BS |
| //11/11//11/13//21/7-6-//5-5- |
C/ |
Air 17 (t) |
BA-E |
Village Opera, 1729 |
25 |
VO |
| //11/11//11/13//217-6-//5-5-//1 |
C/ |
Air 8 (t) |
BA-E |
Chambermaid, 1730 |
11 |
VO |
| //11/11//11/13//21/7-6-//5-5-/5-5- |
C/ |
Amorous Song, An (t) |
SC-E |
Pills 5, 1719-20 |
252 |
VO |
| //11/11//11/13//21/7-6-//5-5-/5-5- |
C/ |
Christchurch Bells (t) |
PL-E |
Playford 1-08, 1690 |
163 |
VN |
| //1+11+/1+11+//1+3+2+/1+76//565/432// |
6/8 |
New Country Dance, A (t) |
DA-E |
Martin Misc Corr, 1759 |
720, 1757 |
MI |
| //1111/1113//217-6-/7-6-5-//5-111/1113 |
C |
Clout the Caldron (t), or Song 25 (at) |
SC-E |
Orpheus Cal-2, 1733 |
T58-59MOP59 |
VO,HA |
| //1+11/11-1-//1-33/3//22-2-/2-42//31-1- |
6/8 |
Wish-House Tune (t) |
TW-E |
Harlequin Sorc, 1752 |
11 |
HA |
//1-1-1-/1-1-1-1-//3-3-3-/3-3-3-3-//5-5- 5-/5-5-5-5- |
C |
Russian Guards March (t) |
IC-E |
Skillern Amus, 1785 |
51 |
2GF |
| //111/1111//333/3334//51+76/5432 |
2/4 |
March V. Den Frantzoschen Deutschen Truppen (t) |
MS-G |
Darmstadt MS 1225 |
149-50 |
2MI |
//111111//133333//355555//1+51+1+5//1+51 +1+5//543 |
3/4 |
Sonata 4. Intrata Allo Modo (t) |
IC-E |
Rockeman & Alters, 1773 |
8 |
2CL,2HN,BS |
| //111/111//13/35//535/54 |
6/8 |
Allegro (t) |
IC-E |
Humple Hn Duets, 1765 |
2-3 |
2HN |
| //11/11//11/134//21/7-6-7- |
C/ |
Christ Church Bells In Oxon (t) |
PL-E |
Playford 1-17, 1721 |
104 |
VN |
| //11/11//11/134//21/7-6-7- |
C/ |
Christ Church Bells In Oxon (t) |
PL-E |
Playford 1-18, 1728 |
104 |
VN |
| //11/11//11/135//1+2+1+/1+71+// |
6/8 |
Deidamia. No. 3 (t) |
AI-A |
Johnson, F. Cotillions |
3 |
PF |
| //111/111//135/1+3+//2+1+/71+// |
2/4 |
Amorosa, La. 5th. Set (t), or Falcone, La (at) |
AI-A |
Cotillion Party, 1818 |
23 |
VN/GF/ PF |
//11111//11-3-5-1//351+765//543//64321// 123// |
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